Tech Support And Root Canal (Humor)

Josh Greenberger asked:

Which one is more painful: calling tech support or root canal?

Calling tech support can be a lot like going to the dentist with a toothache, whereupon the dentist pulls out one tooth at a time and keeps asking if it still hurts. He finally gets to the last tooth and says, “Ah, that’s the one.”

Tech support people fall into three major categories: those who know what they’re talking about, those who have no idea what they’re talking about but think they do, and those who know they don’t know what they’re talking about but want to convince you they do. It’s this last one you really have to worry about. They’ll keep you on the phone for as long as it takes to convince you that the problem is in your head and that your CD drive is SUPPOSED to sound like a washing machine during an earthquake.

When being told by tech support that a problem is not resolvable, try calling back. With most major companies, you’ll probably get another person whom you can present with the same problem. I can’t tell you how many times I’ve called back after being told a problem is not resolvable and then being given the solution by the next tech support person I spoke to.

This approach may also be worthwhile when you are given a solution that may take you a considerable amount of time to test after you hang up. Rather than spend two hours just to find out the “solution” doesn’t work, call again. If the second solution matches the first, there’s a decent chance it’s the correct one. If not, if the first one told you that your printer won’t print, for example, because your new cartridge is defective and the second one told you that it won’t print because your toaster is on “Extra Dark” (the logic behind it might be something like, the toaster is ******* away all the “black stuff” from your printer), it’s a good idea to call back. No, not to find out how to lower the setting on your toaster; to find out if anyone at tech support is from the same planet as your printer’s manufacturer.

But don’t overdo the calling back. I once called about 4 or 5 times from a cell phone in a bad reception area. After giving my name, phone number, and a description of the problem, I lost the phone signal before getting a response. By the time I called back from a new location with better reception, they told me they already had me down as calling several times about the same issue and could no longer support me on this matter. Thank god my plumber doesn’t work this way.

In another instance, I called tech support just before sitting down to eat supper. The guy gave me so many “solutions” before giving me the correct one, by the time I got back to my supper, what was originally meat and potatoes, was now meat, potatoes and mushrooms.

The lessons to be learned from all this are, first, don’t be afraid to call back more than once for the same problem — but don’t abuse the privilege. And if you’re going to call from a cell phone, be sure to call with your free unlimited anytime minutes — because there’s always that chance you’ll get someone with unlimited solutions and you won’t be free any time soon.

by Josh Greenberger from shopndrop.com

Entertainment Insurance for the Creative Soul

virgilio vallecera asked:

Are you one of those creative people who would relatively starve as opposed to be caught working a nine-to-five desk job? One who is bursting provided imagination and needs an outlet for ideas? One who wants to, or by now does, work in the entertainment industry, whether it is the business of filmmaking or producing Broadway shows? If so, you need to mull over purchasing entertainment insurance.

Entertainment indemnity can be compared to the workplace indemnity available to standard, nine-to-five jobs. Entertainment insurance can cover liability issues, as well as damages to or theft of the equipment you, your staff, and your cast use for your entertainment performances. Entertainment insurance can act as worker’s compensation if you, your staff, or your cast become injured on the job, and entertainment insurance can even help cover the values of production if the injury or illness of you, your staff, or your cast delays further creation for a certain quantity of time.

You can also purchase additional entertainment protection that goes beyond just covering you, your staff, and your cast, as well as your equipment and production costs. You can deal entertainment insurance to cover the price levels of injuries and/or damages to audience members and/or such a belongings caused by your performance, as well.

Most entertainment protection policies endure just for a specific amount of time, and this amount of moment is generally the beginning, the during, and sometimes the ending of your performance. When you purchase entertainment insurance, you need to let your insurance agent can appreciate how long the entertainment policy must last. If you fail to do this, your entertainment insurance policy may run out before it’s time, and if an accident occurs, you’re stuck with no entertainment insurance.

Yes, there are many differences between the world of entertainment employment and the world of nine-to-five jobs; however, protecting your workplace, your employees, yourself, and your customers by getting insurance is definitely not one of those differences.

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